Vince Staples - Self-Titled

 

On his latest self-titled record, Staples is at his most personal, reflecting on his past life at Long Beach, a chapter filled with gang violence. 


The record starts well with the opener 'ARE YOU WITH THAT?'. Kenny Beats' enjoyable frostbiting instrumental is a suitable platform for an almost desensitized Staples asking his younger self, 'are you with that?' Was he comfortable with the lifestyle of being a thug, wanting a plug to get a little bread? Clearly not, as when Staples recalls those days and visit his Crips, he is reminded of his dead homies under the ground. 


Then, over an ominous production sampling from Reske's 'WILD DREAM', Staples chillingly recounts a moment of being betrayed in 'LAW OF THE AVERAGES.' His traitor 'caught like a catfish' and Staples got him 'falling and screaming like a Baptist.' If you fuck Staples out of his racks, he will put you on a shirt. In 'SUNDOWN TOWN,' Staples seemingly talks of being desensitized to gang violence and the post-traumatic stress disorder that came as a result. Over 808s and hi-hats of vertigo, Staples recalls falling in love with guns and the sounds of it, but now away from that gang life, Staples sadly finds himself too paranoid to shake the hands of his fans. 


The hi-hats are more rattling, and the 808s are more thumping in 'THE SHINING'. Here, Vince, maintaining his cold flow, expresses gratitude to be away from a city burning, unable to be saved by no sermon. Now he makes his mama proud as he is on greener grasses and not making shit for the masses. 'TAKING TRIPS' sees Vince continuing to depict the brutality of his past time at Long Beach. He hates July with the high crime. He had to bring the heat in his trunks when he is at the beaches. Unfortunately, 'TAKING TRIPS' does include one of the weaker hooks on the record due to its somewhat repetitiveness. 


Following 'THE APPLE & THE TREE', a spoken-word interlude from Vince's mother that showcases the Staples family loyalty, Vince, despite showing gratitude for being away from Long Beach earlier, is still trapped there as he keeps coming back. Over Kenny's minimalistic 808s and soulful guitar, Vince's paranoia remains going south on the PCH. He is anxious. Anyone could be working with the police or plan on killing him. The track also includes a fruitful feature appearance from Foushee, as she delivers a blissful chorus. The record ends nicely with the banger, 'MHM'. Kenny's production here is sweetly airy with its ethereal synths and punchy 808s. Meanwhile, Staples rides the instrumental comfortably, delivering a catchy chorus. 


In his self-titled record, Vince's desensitized flow was an excellent element in introspecting on the gang life at Long Beach and how it has affected the rapper to this day. Despite the resulting paranoia and trauma, Staples is still attached to Long Beach as it is still his home. Furthermore, Kenny Beats did outstanding on the production side. Providing impactful and stripped back instrumentals to complete a compelling experience of an album. 


Best Track(s): ARE YOU WITH THAT, MHM, SUNDOWN TOWN. 


8/10


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